These pieces are made of hydrostone, a gypsum compound suitable
for
indoor or outdoor placement.
Allow a possible 2 to 3 weeks for delivery of all statues.
Some may be available sooner.
Click here for an important note about shipping costs for statues.
| Aphrodite of Melos
G-068SM Aphrodite of Melos Size: 20" H (50cm)
G-055SM Aphrodite of Melos Size: 12.5" H (320cm)
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Louvre Museum, Paris. 200 B.C. |
| Her graceful body symbolizes an ideal of beauty that many long for but none attain. The French named her the Venus of Milo. In 1820 a peasant named Yorgos found her broken body in an underground cavern on the Aegean island of Melos. Later she was taken out of Greece under unclear circumstances to be taken to Paris where she was to be admired by the millions of visitors to that country's great museum-the Louvre! Aphrodite was the Goddess of Love, identified in Rome with Venus. Although Homer describes Aphrodite as the daughter of Zeus and Dion, the more popular view was that she was conceived in the foam of the ocean from the seed of Uranus. Dropped there when he was castrated, her name meaning "foam-born". Aphrodite was married to Hephaestus, but she loved Ares and she was known for her many love affairs, notably with Adonis and Anchises. | |
| Bust of Aphrodite
G-017S Bust of Aphrodite Size: 9" H (23cm)
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| Parthenon Horse
G-012SM Parthenon Horse Size: 8" H (20cm)
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Parthenon Temple, Athens. 465 B.C. |
| Horses were an integral part of life in ancient Greece. They played an active role in warfare, transportation and in the games such as the Panathenaic Games in Athens with its huge contingent of cavalry riders. Athenian enthusiasm for the horse was clearly expressed in the many civic buildings and temples that were adorned with paintings and sculptures of riders and battle scenes showing cavalry such as in the Parthenon friezes where this wonderful horse head originates. Two deities, Poseidon and Athena, together served as protectors of horses and patrons of horsemanship and equestrian activities. Athena, Patron Goddess of Athens, was credited with the invention of the bridle and the use of chariots. The horse was a symbol of prestige, wealth and status. Social rank has often been defined by the ability to own and maintain a horse. The Aristocratic families that ruled Athens during the 6th century B.C. often took pride in their nobility by starting or ending their name with the word hippos (horse). The aristocracy bred and raced horses from very early times and it seems that chariot racing was the preferred form of competition and maybe the foundation of the Olympic Games | |
| Caryatid Column
G-011S Caryatid Column Size: 26" H (66cm)
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The Acropolis, Athens. 465 B.C. |
| Greek Geometric Horse Statue
GRE02 Greek Geometric Horse Statue Size: 6.5" H
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| Around 900 BC a change in style took place in ancient Greek
art. Both in decorations and in the art of sculpting geometric patterns
emerged, which were very different from the pre-Hellenic style which was
customary at the time. Painters began to decorate their pottery with stylized,
sketched silhouettes, a style which soon was adopted by sculptors. The
horse was suitable for this innovative geometric simplification. Every
bronze foundry on the Greek continent developed their own variations, but
the "pig's snout", the pointed ears and the triangular notches in the base
of the sculpture remained characteristic. Sometimes the horses served as
an ornament on vases, but usually they were sculptures on their own merit,
which were often used as memorial statuettes.
Greek reproduction of a geometric horse. Made from resin, metal finish, and measures 6.5"H x 6.2"W x 1.75"D. Part of the Parastone Mouseion 3D Collection of museum replicas. |
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